Skip to main content

Final Design challenge project


Link to project: https://drive.google.com/open?id=10NIxK2jaSpRHvWIdBsN-DjuPGU2B5b77 ( Fury ending credit remake )

 The quality is not as great since I didn't save it to the highest quality due to time.

 process: ( it's hard to show progress through film editing, I thought it would be easier to show a tutorial at the end. ) 

 I first began this project with making a separate font in Photoshop (the tutorial is in my other reflection) After uploading WWII footage from youtube (downloading through mp3 converter) I added a red and black colour gradient using a sequence, allowing all of the footage to be edited at once. I then did some fine tuning with certain clips, reversing, speeding them up etc by right clicking on each specific clip and personally changing each. Then, I added title cards. I referenced the Fury title sequence using http://www.artofthetitle.com/title/fury/ ( 10/10 useful for reference and describing the sequence.) Soon, i then dragged my Photoshop 'FURY' text into a clip and played with the settings, ending up with soft light. For the final step, i added the Fury music over each clip. (physically showing and teaching film editing is much easier)

 my tutorial for the text

 This project gave me a better understanding of editing and made me feel more comfortable  with Premier. I usually am more of a cinematographer, but this will make definitely better and quicker in the future.  I didn't struggle with much since I've done this before, however, never done credits. Now I'm excited to do more of this for my own films.

 Next i would like to possibly add a clip within the Fury text itself instead of a still image like in the sequence. I was going to attempt this but ran out of time sadly.

brainstorm:



examples:  http://www.artofthetitle.com/title/fury

 I'm going to attempt to make a title sequence with WWII footage in the background similar to Fury. ( 6/10 difficulty )
the results:

 I did achieve my anticipated results, I was very happy for the outcome despite it being somewhat blurry. I tried going back to fix it but footage was lost due to the computer resetting. I think I deserve around a 8/10 for the actual sequence. I know i could have updated more on my process but often forgot and was too busy working on it to remember what I even did since so much goes into editing. I really enjoyed working on this.

 ( the text is messing up and wont let me change the font bigger )


Comments

Post a Comment

Popular posts from this blog

Ted Talk: Rory Sutherland

The shreddies branding is genius (diamond shape) people actually believed this marketing technique. Phones are possibly the most innovative piece of modern technology (with location etc)  You knew perception was a huge part of marketing and an equally significant factor in generating sales. proven fact that cheap, undervalued products can be completely revamped through developing a new perception around it.  all value is subjective, BUT an intangible change can be just as satisfying as a physical change.  Frederick realized the farmers would rather be jailed than forced to grow potatoes. So he took a new approach, and decided to re brand the potato – changing its perceived value. He declared that potatoes were only for the royal grew them in his garden, protected around the clock by his guards.  “When you place a value on things like health and love and learn to place a material value on what you’ve previously discounted for being merely intang...
Post a Comment
Read more

Designer Research 5x5x5

Armin Hofmann - He began his career in 1947 as a teacher at the Allgemeine Gewerbeschule Basel School of Art and Crafts at the age of twenty-six - He is well known for his  posters , which emphasized economical use of colour and fonts, in reaction to what Hofmann regarded as the "trivialization of colour." - He was also an influential educator, retiring in 1987. In 1965 he wrote the  Graphic Design Manual , a popular textbook in the field. thought that one of the most efficient forms of communications was the poster - His  Graphic Design Manual  was, and still is, a reference book for all graphic designers.        Saul Bass - was an American  graphic designer  and  Academy Award -winning filmmaker, - During his 40-year career Bass worked for some of Hollywood's most prominent filmmakers, including  Alfred Hitchcock ,  Otto Preminger ,  Billy Wilder ,  Stanley Kubrick  and ...
Post a Comment
Read more